The Sony E 18-55mm f/3.5-5.6 OSS got a companion to hide the middle to long tele vary – the Sony E 55-210mm f/4.5-6.3 OSS. each lenses are sold in some double lens kits with a NEX camera. The 55-210mm OSS contains a three.8x zoom magnitude relation that is concerning typical for such kit zoom lenses. The max. aperture of f/6.3 at 210mm is slower than average tho’ – this can be, presumably, a live to stay the lens as little as potential. fully format terms it “behaves” sort of a “83-315mm” thus it’s suitable for applications like basic portrait-, sports- and wildlife-photography.
Sony E lenses tend to possess a reasonably nice build quality and therefore the 55-210mm OSS isn’t any exception here. amazingly Sony used mag-alloy for the lens body that is unquestionably a somebody during this lens and value category. The rubberized focus and zoom management rings operate terribly swimmingly. The inner lens tube (made of plastic) wobbles slightly bit tho’. Typical for such lenses it extends once zooming towards the long finish of the zoom vary. The front component doesn’t rotate thus it remains simply potential to use polarizers. The lens is definitely compact compared to similar DSLR lenses but it’s fairly long once mounted to the small NEX cameras – particularly once extending the lens to its most focal distance and with the connected lens hood (supplied).
The AF performance is pretty wise for a distinction detection system (albeit very passionate to the lowest camera). AF operations ar essentially quiet. Manual focusing works “by wire” so the most focus ring isn’t directly coupled to the foremost focus gears however to the AF motor. DMF is supported. OSS is Sony’s lens-based image stabilization mechanism. it’s to air par with the Canon and Nikon variants (and above Panasonic’s OIS). One of the most dissatisfactory realizations new DSLR house owners face is that their 18-55mm kit lens solely contains a puny 3x zoom vary. coming back from point-and-shoots with 10x, 20x, or perhaps 50x zoom ratios, it will feel pretty limiting. The solution? photograph lenses.
The Sony E 55-210mm f/4.5-6.3 OSS (MSRP $349.99) is one such lens, providing enough zoom vary to capture faraway subjects. It won’t rival a 60x superzoom for sheer reach, but it’ll take far better photos, particularly if you recognize a way to cash in of it. better of all, it won’t break the bank. Sure, Sony had to form some sacrifices to induce the worth that low, however if you’re wanting to feature reach on a budget, this lens ought to air your radiolocation.
Who’s It For?
The Sony E 55-210mm f/4.5-6.3 OSS is one in every of a well-known breed of lenses: AN entry-level photograph zoom lens designed to be paired with the quality 18-55mm kit zoom. On the and facet, this lens has enough reach for sports and life photography, and includes useful optical image stabilization (that’s the OSS) which will facilitate stop blur from hand-shake at longer focal lengths. but there are downsides, too: Its little most aperture makes it but ideal for dim shooting things or terribly fast-moving subjects
To pack this a lot of zoom into a compact $350 lens, Sony’s designers had to use AN aperture that closes down as you focus. At full photograph, the aperture cannot open any wider than f/6.3, that starves the detector for light-weight. In bright daylight you will be okay, however when the sun goes down you’ll need to either use slower shutter speeds (resulting in blurrier photos) or higher ISO settings (grainier photos). If you intend to try and do plenty of shooting in variable lighting, you’ll be wanting to think about a brighter lens, just like the Sony Fe 70-200mm F4 G OSS. However, that kind of lens can price you plenty extra money, additionally to being larger and heavier. sadly, there isn’t any cheating physics.
Affordable pic zoom lenses are popular customers, but seldom surpass in our take a look at labs. The Sony E 55-210mm f/4.5-6.3 OSS could be a notable exception. It’s actually a far higher lens at 55mm than it’s at 210mm, however as long as you retain the aperture to f/8 or wider, it will deliver spectacular results.
In the lab, we were notably affected by the lens’s ability to render terribly fine details within the center of the image. tiny details just like the texture of a bit of vesture or fine strands of hair are clearly visible. Even within the corners of the frame, most of our shots looked quite sharp. There are actually some caveats, though: At 210mm, the sole aperture that yields systematically sharp shots is f/8. The lens struggles each wide open at f/6.3 and at smaller apertures from f/11 to f/22. that is a fairly tight window if you would like high-quality shots at full pic, and it means that you’ll have quite an little bit of light-weight to urge the duty done.
In the field, the 55-210mm f/4.5-6.3 affected us with its management of optical defects like aberration and geometric distortion. Despite its restrictive most aperture, it additionally was able to manufacture sleek out-of-focus areas (though Sony’s 50mm f/1.8 OSS could be a far better alternative if that is your primary concern). Below you’ll be able to see sample photos infatuated the Sony E 55-210mm f/4.5-6.3 OSS mounted on the Sony A6000. Click the link below every icon to transfer the full-resolution image.
Most new DSLR and mirrorless camera owners begin with a regular kit lens—usually an 18-55mm f/3.5-5.6 or one thing similar. These square measure smart starter lenses, but they are higher for landscapes and everyday snapshots than zooming in on faraway subjects. The Sony E 55-210mm f/4.5-6.3 OSS could be a lens which will bring those distant subjects nearer, providing the extra reach you are looking for.
Like all reasonable zoom lenses, it makes compromises to stay the scale and value down, except for the foremost half they are sensible selections. The restricted most aperture is that the biggest issue, beginning at f/4.5 and shrinking to f/6.3 at full extension. That limits the number of sunshine that hits your sensor, that means you will usually would like slower shutter speeds or higher ISO sensitivity, that degrades image quality.
Sony’s Optical SteadyShot (OSS) stabilization goes a way toward compensating for this issue. It helps correct for blur caused by hand movements at slower shutter speeds, but it cannot correct for your subject’s motion. which means this lens is not ideal for anyone wanting to shoot indoor sports like basketball or volleyball. It will add those things if you cannot afford a brighter zoom, but you will have to figure lots tougher (particularly in process your images) to urge clean shots.
The Sony 55-210mm f/4.5-6.3 OSS is way higher suited to out of doors sports and life photography, wherever there is many light-weight and you’ll be able to use a quick shutter speed to freeze the action. In those things, it’s actually well worth the $350 selling price and makes an excellent companion to an 18-55mm or 16-50mm kit lens.